Disclosure: I am an Olympus Visionary and as such, receive compensation from Olympus America. However, no compensation was paid for this review. I endorse their products because I truly believe in the quality of their gear. ​

As a person who loves photographing wildlife, one of the most important tools in my bag is my super-telephoto lens - the M.Zuiko 300mm f/4 PRO. This gives me an equivalent focal length of 600mm when compared to full frame. For many situations that can be ample reach. But there are certainly times where you want to extend that reach and really pull in your subject. That's when a good teleconverter can come in handy. Until recently there was only one option from Olympus, the MC-14, a 1.4x converter that would bring the focal length to 420mm. Over the past couple of years I have used that teleconverter countless times to extend my reach and have been very happy with it. But even with that, there are times when I want my "go go gadget arm" to reach even farther. Enter the new MC-20 2x teleconverter. 

Every photographer looks at a new camera release and asks, "Does this new model come with significant improvements from what I currently own, and does it suit my style and budget?" With the announcement of Olympus' new flagship model, the E-M1X, I was curious as to how well it fit my style as a nature photographer who primarily shoots landscapes and wildlife. Although designed to meet the needs of almost any style of photographer I wanted to provide "a natural perspective". 
Before I get into any details, I must provide an important qualifier. This is not a technical review. It is a 'first impressions' write-up with some supporting details and a lot of comparison to the E-M1 Mark II.

The m.Zuiko 12-100mm f/4 PRO

Disclosure: I am an Olympus Visionary and as such, receive compensation from Olympus America. However, no compensation was paid for this review. I endorse their products because I truly believe in the quality of their gear. ​

No matter how many lenses you own, chances are that you have one or two that you end up reaching for more than the others in your bag. As a long time Olympus shooter I own most of the micro 4/3 lenses on the market today, and I use many of them quite regularly depending on the situation. That being said, I am finding that the new m.Zuiko 12-100mm f/4 PRO is spending a lot more time attached to my camera than any other lens. It has become my workhorse lens, for a number of important reasons.

Overview
The 12-100mm is a constant aperture f/4 lens that measures 116.5mm long by 77.5mm in diameter with a 72mm filter thread. Like all Olympus PRO lenses it has a programmable lens function button, a manual focus clutch and is weather-sealed, meaning it is splash proof, dust proof, and freeze proof.  It has 17 elements in 11 groups with high quality construction and the Z nano coating to reduce glare. Perhaps most impressive is the 5-axis Sync image stabilization that works in tandem with the in-body image stabilization of the OM-D E-M1 Mark II to produce up to 6.5 stops of IS. 

In late 2016 Olympus announced the 25mm f/1.2 PRO - an incredibly fast and sharp lens with beautiful feathered bokeh. For the past year that lens has been pacing the waiting room anticipating the delivery of two promised siblings - the 17mm and 45mm f/1.2 lenses. The wait is now over. 

​As an Olympus Visionary I was recently provided the opportunity to work with both the 17 and 45mm lenses at a press event in Charleston, SC alongside respected journalists and reviewers in the industry. After a few days of shooting I walked away (actually flew away) with a thoroughly positive impression of both lenses. They meet or exceed all of the claims made by Olympus. So what are those claims?

• Depictive performance that delivers feathered bokeh and outstanding resolution when shooting at f/1.2. This provides a 3-dimensional impression of your main subject, isolating it from the overall softened background due to the smooth transition from the sharp to the defocused areas of the image. 
• Fast, high precision auto-focusing. Both lenses provide virtually silent and smooth high-speed focusing performance, even when using the maximum aperture of f/1.2 and work incredibly well with the Face Priority or Eye Priority AF modes. 
• Lightweight, yet rugged construction. Each lens provides dust proof, splash proof and freeze-proof performance. 
• Excellent close-up shooting. The 17mm f/1.2 PRO has a minimum working distance of 20cm while the 45mm f/1.2 PRO has a minimum working distance of 50mm. 
• Premium design. All three lenses in the f/1.2 family are designed with the professional photographer in mind with a large focusing ring that allows for easy switching between auto and manual focusing by simply pulling back on the MF clutch. A  programmable Lens Function button is also included.

When Olympus released their flagship E-M1 model back in 2013 it made quite a splash. Reviewers and photographers of all stripes were thoroughly impressed with its feature-packed design. Three years later it is still a highly-regarded camera, but alas, it's time for an upgrade.  After spending some time working with the new  OM-D E-M1 Mark II, I have no doubt that Olympus has another success on their hands. 

First Impressions
Before I get into any details, I must provide two important qualifiers. First, this is not a technical review. It is a 'first impressions' write-up with a few supporting details and a lot of comparison to its predecessor, the E-M1. Secondly, all of the information in this post is based on a pre-production model of the camera.

If you would rather watch a quick summary of the E-M1 Mark II, check out my video description below. 

The OLYMPUS OMD E-M10 MARK II and 12mm F/2.0 LENS

As an Olympus Trailblazer I have the remarkable opportunity to shoot with practically any camera body and lens that Olympus makes. As a nature/landscape photographer I admit that I usually turn to one of the weather-sealed options from Olympus - either the E-M1 or the E-M5 II. After all, I often find myself in weather conditions that may not be favourable. So why am I writing a post on the E-M10 II and 12mm f/2.0? Quite honestly, more and more often I find myself reaching  for this exceptional combination. 

​Like most photographers I am always excited to try out a new lens, but the new 300mm PRO lens from Olympus is one that I’ve been eagerly looking forward to for over two years. I had the opportunity to shoot with the lens for a few days before the official announcement. Here are my thoughts, but be forewarned, this is not a technical review, rather more of an information piece with some of my first impressions thrown in. 

Let's start by saying, "I don't write camera reviews." I leave that to the more technically inclined. This post is more of a "camera impression" and the reason I write it is because a few nights ago I was at a  get together with some friends. I pulled out my TG-4, immersed it in my friend's pool and began shooting. Most of the people at this shindig had never seen a camera that could do this. When I showed them the resulting images they were quite impressed.  I am also impressed with the new Olympus Tough TG-4 - the company's latest flagship drop-proof, dust-proof, freeze-proof, crush-proof, water-proof, life-proof camera. 

At the end of January I received a phone call from Richard Pelkowski, Product Manager at Olympus, asking if I would be interested in shooting with a mockup of the new 8mm f/1.8 fisheye lens that Olympus would be releasing this summer. “Of course,” I said enthusiastically! Who wouldn’t agree to that request?

A week later it arrived at my doorstep and several things were immediately noticeable:

1. This really is a mock-up. There were no markings on the lens of any kind. It didn’t even have the Olympus name on it.
   
2. This is a pro-quality lens. Although compact in design it had the feel of a solidly built lens. I was certain that I could do some very serious photography with this piece of glass.
   
3. This is going to be fun! Put this on my E-M1 or E-M5 Mark II and get ready to see the world in a totally different way.